Showing posts with label Cable hack. Show all posts
Showing posts with label Cable hack. Show all posts

Ways to get free cable

Today I will cover the most commonly used method of cable
scrambling, that of In-Band gated sync. For the more comatose of
you, I will now present a brief description of how it works and
why it is so commonly used.

The simplest first: It is often used because the boxes are so
damn cheap. The gated sync unscramblers do not even require a
tuner, the whole process is done semi-passively and requires no
internal connections to the TV. Hence, an easy way out for the
cable companies who insult you by thinking all its subscribers
are average dolts, not requiring their attention. (hum...ma bell
must have thought that way once (cough, cough, chuckle...).

The basic workings of the gated sync are as follows:

First, I must define a sync pulse. It is a part of the TV's
video signal which lines the signal up, causing it to come
out all nice and neat so you see a good picture. What gated
sync does is to remove that portion of the signal, and
transmit it on a subcarrier with the rest of the signal.
This results in the scrambled mess you see when you
desperate ones try to watch the playboy channel and your
parents haven't subscribed to it. Now, keep in mind, the
sync portion of the signal is not distorted at all, but
merely transmitted on a slightly diverted frequency. Thus,
it remains in time with the rest of the signal, and needs
only to be recombined with the rest of the signal. This is
much simpler than it may seem. All the circuit must be able
to do is to receive the sync pulses, and retransmit them on
the original frequency, where they will be lined up
properly.
"But" you may say, "isn't that rather difficult?" not at
all, my friends; think of your video modulator: It must
transmit the entire signal, and it is only about 2"*1"*1".
The receiving is simple: the receiver doesn't need to be
able to change channels - the cable companies need only have
their unscramblers set for the channel the box receives on,
because that is the only one it will be necessary to
unscramble.

How to figure out if you have gated sync scrambling:

This method of scrambling is characterized by correct sound,
and a picture that is allllmoooost normal, if you could just
get the vertical hold to work a little more. if you want to
be 100% sure, call up your cable Co's customer help line and
ask. I know this sounds ridiculous, but I called Century
Cable in California for the Pope, and it worked for me. Just
play it cool and say "what kind of scrambling method are you
using?" and I they should give it to you. Incidentally,
Century Cable does use gated sync, for anyone in California
who happens to read this.

Places to get gated sync units:

Well, the best place to look is in the back of electronics
magazines - not the idiot ones like 'Popular Electronics'
(does it even still exist?) but the dedicated electronics
ones- like Radio-Electronics (best) or 73, the Amateur Radio
technical journal.

Here is an address which I got out of Radio Electronics,
August 1985, p.110: Gated sync: kit form, all parts,
instructions, very good, $39. Write to: J&W Electronics,
Inc. p.o. box 800, Mansfield, MA. 02048 Phone: 1 800 227
8529 (Orders) 617 339 5372 (tech. info)

*****************************************************************
Pirating Cable TV
Part 2
*****************************************************************

Today we will discuss over the air pay TV scrambling. This is
used widely in many areas without cable, and all of the systems
in use use essentially the same system, that of SSAVI scrambling.

Discussion of SSAVI scrambling: SSAVI stands for Suppressed Sync,
Audio Video inversion. This method of encoding video
transmissions was developed by the Zenith Radio Corporation, who
manufactures the vast majority of legal unscramblers used today
with this method. Suffice to say, SSAVI is the Anti-Christ of
cable pirates. The system involves several less sophisticated
methods combined to produce a severely scrambled signal which is
very difficult to decode without the proper hardware. (ie, a REAL
box.) It is illustrated by the name:

Suppressed Sync:

This is the method discussed in part 1 of this series, only
worse. The sync portion of the signal is not transmitted on
an audio subcarrier, but in lines 1-14 of the picture
information which are not seen on the screen. Hence, the box
must be able to isolate the first 14 lines of video and
extract the information from them.

Audio:

The audio is transmitted on a subcarrier in a similar
fashion as the sync pulses in part 1. If you will remember,
the audio was normal in the suppressed sync method.

Video inversion:

The video signal is randomly inverted at the scrambling
stage, resulting in a negative picture when the signal is
inverted. (yes, like a camera negative.) The indicator for
whether the upcoming frame of video will be inverted is also
sent in the first 14 lines of video, allowing the box to
begin inverting the signal before you see it. All of these
little bits of evilness exist independently of each other.
the signal may have all, none, or any combination of these
things. because of this, the box must be very intelligent.
Also, because the box is used so widely, it must have a
tuner, allowing your local transmitter to select what
channel they are using by tuning the box before they give it
to you. all this makes for a real fun time when you go to
unscramble your signal.

Box Theory:

The suppressed sync signal is transferred from the first few
lines of video transmitted in the first few lines of video,
which, incidentally, are transmitted normally. The box
'sees' these 14 normal sync pulses, and calibrates itself to
reproduce these sync pulses for the rest of the frame of
video. It then inserts these pulses where they are needed in
the signal to produce a normal picture; this recalibration
every frame is necessary, though. Sync pulses occur over 500
times every second, and if the clock were not constantly
revamped, it could get out of sync (Oh God!) with itself.
Audio:

The audio is transmitted on a subcarrier deviated about 15
kHz. All the box does to the audio is retransmit the audio
on the proper frequency.

Video inversion:

The video signal is randomly inverted, but the mode
(inverted vs. normal) can only be switched between frames,
not between fields, making the job of detection and re-
inversion slightly easier.
The box looks at a portion of a line (line 2, I think) and
based on the logic level at a certain point in this line of
video, the box reroutes the signal through an operational
amplifier's inverting input. As a result, a signal received
inverted is now correct, and a frame of video 'seen' as
normal is not routed through the invertor, and sent straight
to the R.F.modulator, which retransmits the corrected signal
to the TV set, usually on channel 3.

Physical description of the Zenith SSAVI decoder:

The box is approx. 11" by 7", and about 2.5" tall, including
rubber feet. It has a round vertical travel pushbutton
switch in the rear left top corner, and in a small metal
label on the top center of the box is engraved Zenith
SSAVI-1. About 1.5" by .75". There are 3 female 'F'
connectors on the left rear, and a 3 pin power connector on
the bottom right rear. The case is brown, with a wood
grained strip running around the horizontal center. A rather
formidable device.

Some interesting features of the SSAVI system:

When used by the Pay-TV companies, (cough cough), because of
the extreme to which the scrambling of the signal is taken,
the system provides more security against the casual
basement cable wizard than any of the other systems in use
today, save those now being implemented by various satellite
transmitters.

These are really mean:

Digital Video transcription, fluctuating transmission
frequency, and other fun stuff.
But that is another file, coming later. In addition to the
complexity of the scrambling, each box is given its own
internal ID number, allowing each box to be addressed by the
transmitter and shut off in the event a customer does not
pay his bill. In addition, each box contains a firmware code
which is constantly being compared to that transmitted by
the station. Hence, a stolen box will not work in another
city, where it cannot be turned off by the normal method due
to the fact that some one may already be using a box
containing the same security code. There are several more
codes stored in the box:
Those which determine the services to which a subscriber is
entitled. (such as optional sporting events, nite life,
etc.) these codes are stored in a volatile memory powered by
a rechargeable battery, to allow reprogramming from the
station. This also means that if the box is stolen and/or
left un-powered for several days, the battery will run down
and the authorization codes will be lost.

Well, as usual, where there is security, there will be security
breakers, and this is no exception. Talk to these people about
getting your own SSAVI box:

Video Electronics
3083 Forest Glade DR.
Windsor, Ontario N8R 1W6
Phone: 519 944 6443

According to them, the box also works with SSAVI cable systems.
This is the REAL thing, made by Zenith. Why do you think you have
to get it through Canada?

Channels these people guarantee the SSAVI box to work on: Ann
Arbor 31, Baltimore 54, Wash. D.C. 50, Chicago 66, Dallas 27,
Minneapolis St Paul 23, San Jose 48, St. Louis 30, Tulsa 41,
Boston 27.

Well, there you have it. they want $130 for the box, and compared
with a $21/month fee it will pay for itself in 6 months. Have a
good time.
**************************************************************
Call: K.A.O.S. :215 465 3593
For questions, I can be reached at these (among others) boards.

-=>later<=-

*****************************************************************

Pirating Cable T.V.
#3
***Cable Converters***
*****************************************************************

First, a plea. I need a recipe for Nitrous Oxide.
(laughing gas.) if anyone knows where I can get one, or has a
file on "how to", !please! contact me at K.A.O.S. 215- 465-3593,
or leave it on a few of the more popular ae lines.
thank you.

*****************************************************************

Cable Converters - Required Knowledge.:

1. Most scrambled cable channels are transmitted either between
channel 13 and channel 14 ('mid-band' transmitting) or below
channel 2 'super-band' transmitting. Thus, if you receive
the cut rate bottom of the line cable service (such as the 3
networks and a few community stations) you may never even
get a chance to see the scrambled channels, let alone try to
unscramble them. Hence, we usher in the <>.
these are nothing new or illegal, mind you; they can be
purchased at radio shack. They were originally intended for
the video cassette recorder owner (that is, the ones that
are sold on the open market.) His rented cable converter and
unscrambler, usually combined in the same TV top box, were
busy faithfully unscrambling and converting to channel 3 the
program he was currently watching. However, if he wanted to
tape something on an !un!scrambled channel that was
transmitted in the mid-band or super-band mode, he was up
the creek, because he had no way to get the signal down to a
frequency his TV or VCR could receive. but if he hooked up
his little radio shack converter, presto! he was set. (Newer
VCR,s come cable ready - but not premium cable ready
unfortunately!)

2. Now is a good time to make clear an important point. Cable
converters do !not! unscramble a scrambled signal, they
merely move it to a frequency the TV / unscrambler / VCR /
whatever, can get a hold of it. There is lots of space
between channels 13 and 14 - it is the dividing line between
VHF and UHF. Here are places in there your TV just can't get
to.
3. Here comes another point: Those of you with 'cable ready'
TV,s think you're home free now, eh? no. While a cable
ready TV will let you view any mid and super-band channels
that you may unknowingly receive, the scrambled ones are
still scrambled. So what do you need now? an unscrambler, of
course.

*****************************************************************

4. It may be necessary to explain what is actually happening in
your boxes that you rent from the cable Co. thus: ----- if
you have bothered to pay extra for any scrambled channels,
you are given an unscrambler and converter by the cable Co.
for which you gladly pay rent in addition to your cable fee.
This is usually a brown box that comes in several styles,
expounded upon below:

Digital with remote:
A small box upon your TV, with a digital display of the
channel you are watching. You have a trusty remote, and zap
away at will.

Knob Style:
A box or non-wireless remote with a large knob on it. It, of
course, selects what channel you are watching.

Switchboard Style:
A 9" x 5" (or so) board with several 3 position vertically
moving switches. What the hell do these do? you'll never
guess.

The kind without any switches:
(Now how will I operate my digital watch?) this is called a
block converter. More on these later.

*****************************************************************

What is going on:
Ahhh, the good part. What happens here is this: No matter
what system you have (except for the last - ignore that for
now.) In some way you select a channel; the cable converter
runs off, finds this channel, and yanks it down to channel 3
(or 2, or 4, whatever your cable co. uses.) where your TV is
waiting for it. (yes, that's why you put your TV on the
same channel and change channels with the knob, remote, or
whatever.) Now, if it's a scrambled channel, and you are
authorized to receive it, the signal is rerouted through a
small un-scrambler. (a note: cable scrambling methods are
piddly little hindrances; for a real bitch of a scrambler
see the SSAVI system, explained in part 2.) the signal is
again spat out at channel 3, and your TV glows happily
away, displaying your mid or super-band channel.

5. At this point, a question may by nudging around your
temporal lobes now. Something along the lines of "How do I
get cable TV without paying for it, dammit??" well, here we
go. you look up that place I mentioned in part II. (address
& phone# at end) just fork over your $30 (or someone else's
credit card) and get one of these nifty little
unscramblers. Now, mind you, the cable Co. wants it's
(your?) money more than you think, and will be rather upset
if they find you doing any of this stuff, so take care.

Here's how to hook up your unscrambler:

First, adjust the unscrambler to receive the channel your TV
is set on to receive a signal from the cable box. Next, send
the output of the real box to the unscrambler, and the
output of the unscrambler to the TV. you're all set! Just
sit back and watch those porn flicks pour in.

6. If you change channels with your TV set, and you don't have
a box, get a cable converter and an unscrambler. Your
service is too basic to rate a converter, so you have to get
one. Just make sure it has some sort of channel selector on
it - all selected channels must be output on the same
channel so the unscrambler can unscramble them. Sorry.

*****************************************************************

7. How to make this much easier on yourself: There is a much
easier way to do all of this stuff, but you sacrifice ease
for legality. That is, even though what you would have done
if I wasn't telling you this was illegal, this is more
illegal. But let's be realistic does anyone give a damn of
any size whatsoever? No of course not.

Therefore:

Beating the cable Co. at their own game is easier than you
would think. Firstly, call up your cable Co.'s customer (hee
hee) service number, and tell them what optional channels
you currently subscribe to, and ask them if you would have
to get a new box if you wanted to add some channels. chances
are they will say no, because most of the boxes have a small
computer in them which can be told over the cable what you
are authorized to receive, (neat, huh?).
This is the same computer which decides whether the channel
you want to watch gets sent to the unscrambler portion of
the box or not. So if they say no, you're in good shape. If
they say yes, you are in a little bit better shape than if
they say no.
If they say no, this means they change your authorizations
inside the box by changing hardware - that is, connecting
sets of wires.

How to change your authorizations:

(yay) First, the hardware boxes - they're easier. According
to some people i've talked to, the cable companies get
highly (very) pissed off if you play with their boxes, so
you have to get hold of one they don't know you have -
remember, they will want your rented box back when you move
and will get unhappy if you have been monkeying with it.
Getting a box: a). Steal one. b). Say somebody stole yours,
your dog ate it, or whatever. c). Find some unethical person
(druggie) who will sell his for a few bucks.

Changing a hardware box:

1. Open the box without destroying it. This can be a real
challenge sometimes. While at the Sheraton Washington (Wash,
D.C.) attending the model UN last year, I stole one from
someone's room and tried to get it apart for about an hour
so we could watch the flicks that night - I gave up, got
drunk, and threw it out of a window - no, it didn't break.
(yes, incidentally, for any - one in the Wash, D.C. area,
there is one in every room of the Sheraton Washington. Good
point - ritzy hotels are great places to get those boxes.)

2. Look for a small set of sockets, such as an integrated
circuit socket without a chip in it. It will have wires in
it instead. If you can't find one of those, look for a dip
switch - these are the same size as an integrated circuit,
fit in an IC socket, and have the same number of switches on
it as pins on one side of the IC socket.

3. Try to correspond the wires or the positions of the
switches with the channels you pay for. These wires or
switches are how the box is programmed - try turning all of
the switches on, and putting all of the wires in, and see if
you get more channels. Conversely, try removing wires and
turning switches off.

*****************************************************************

Cable programmed boxes: -----------------------

These are a bit more difficult. You have to try to separate
the three sections - computer, receiver(converter) and
unscrambler. When you isolate the computer section, just
bypass it completely. Find the output of the converter and
the input of the unscrambler and just hook them together. As
you can probably see, this just does not permit the computer
to have a say in what gets unscrambled - incidentally, this
will work for the hardware boxes, but it is usually pretty
easy to find the little wiring panel/switchboard and you do
not have to figure out what is what inside the unscrambler.

*****************************************************************

Well, I hope this helps, If you desperately need to ask a
question, you can get me at:
K.A.O.S 215 465 3593 or the church at 215 386 0350 pw ataru and I
will be glad to answer.

*****************************************************************

Here's the address I promised:

unscramblers

Warning: this unscrambler will not work with those channels that
make that obnoxious beeping noise. This is a gated sync
unscrambler. To find out if this will work in your area, get that
good 'ol customer service number and call and ask if they use
suppressed horizontal sync as their scrambling method. Yes, they
will tell you!.

J&W Electronics, Inc.
Mansfield, MA.
02048
Phone: 1 800 227 8529 (orders)
617 339 5372 (tech info)

*****************************************************************

Well, thank you for sitting through 350 lines of my ravings. If
you download this, please give it to all. Up with the individual!

*****************************************************************

Now if you'll excuse me, I'm going
to kick back and smoke a Marlboro.

-=> good luck. <=-

*****************************************************************

Additional notes provided by a technically competent but
dissatisfied cable customer:

1. Why do I have to pay $20 per month for the basic
service of network channels and STILL watch more
advertisements (usually for HBO)???

2. When I do take out a mortgage for the premium channels
I find: a). The programming is too late. b). I've seen all
the films before. c). The network channels usually carry
them a fortnight later.

3. It also seems to me that over the air broadcasts are
being reduced in favor of cable; therefore I'm at the mercy
of the cable companies if I'm to get ANY decent reception.

4. Why should I see ugly great cable assemblies draped
around the country-side? What's wrong with the ground or at
least fiber optic?.

5. Basic infringement of my constitutional rights to do
what the hell I like with 'over the air' reception (eg.
satellite HBO) as long as I don't upset my neighbors.

6. Why don't cable convertors and descramblers come with
separate video and audio outputs. Why go to all the trouble
of putting it back on channel 3 or 4, if you have separate
video inputs to your TV equipment. For that matter why not
go the whole hog and have separate R G B and sync?. It would
be nice if someone (or company) sold a fancy tuner that did
all this stuff including a video processing circuit to take
care of on screen programming and of course by no means
least; reconstituting the messed up signal!.

7. Why not have a user interface box at the entry to your
home so that you can cable up as many TV,s as you want?.

Additional info:

New York/ Westchester area CableVision uses Jerrold 7000
Impulse addressable decoders (which mean they reprogram them
from their computer to enable reception). Actually if you
unpower one of these boxes after the setup info. is lost due
to the battery becoming discharged; it reverts to the prevue
channel irrespective of the channel you try to select. After
repowering and waiting some period (sometimes days if your
cable company are slow) it re be re-activated . Thus I guess
the device reverts to the prevue channel if it is used
outside of the cable company's area.

I would be grateful if anybody has any other info. to add,
such as which specific method is used in this area

Cable descram kit

GATED PLUSE CABE T.V. DESCRAMBLERS. (WILL DESCRAMBLE YOUR PAY MOVE CHANNELS.)

THE KIT INCLUDES ALL THE ELECTRONIC COMPONENTS TO MAKE THE THING WORK *GREAT!!*

YOU HAVE TO BUILD IT, YOU NEED A 15-25 WATT SOLDER IRON, SOLDER (RESION CORE)
SMALL WIRE CUTTERS, AND A GENERAL UNDERSTANDING OF HOW TO SOLDER WELL.

THE KIT IS ONLY $79.95 AND WILL WORK ON MOST CABLE CO. SYSTEMS.

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IF YOU WANT A CABLE DESCRAMBLE KIT PLEASE SEND $79.95 IN MONEY ORDER OR CERTIFIED CHECK TO...

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FOR MORE INFO OR C.O.D. ORDERS PLEASE CALL 312-315-2136

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WITHOUT PAYING FOR THEM THRU YOU LOCAL CABLE CO.
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THIS KIT IS SOLD FOR EXPERIMENT USE ONLY AND IS NOT INTENDED FOR CHEATING THE
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Descrambler for cable box

Let's have a quick show of hands of everybody out there who has
cable TV. Okay, now, everybody who actually their
reception, keep your hands up. Not many, are there? That's what I
thought.

Most videophiles I know have a love-hate relationship with cable
TV: they the selection of channels and the convenience, but
they the mediocre picture quality, the rolling lines, the
static, and the periodic cable outages that only seem to come up
when you're trying to record the last showing of your all-time
favorite film from pay TV.

Can anything be done to improve the quality of cable TV?
Plenty...but unfortunately, most of it has to be done at the
end>, which is the central receiving office of the cable company.
Without a good signal to begin with, the best-quality cable
amplifiers and wires in the world can't bring a decent picture
into your home. In addition, many cable companies operate under-
less-than optimum budget conditions, preventing them from using
state-of-the-art gear, for everything from inadequate line
amplifiers on the telephone pole to shoddy channel-selector boxes
in your home.

There are a couple of things you can look for to help the cable
repairman solve the usual problems: perhaps the biggest is
or video noise, which is generally caused by inadequate signal
levels. Most experts advise that an average tuner needs at least
.1 millivolt of signal to produce an acceptable picture. A little
more, like around .3 mV, is even better. Cable TV companies
routinely use amplifiers in their lines placed at regular
intervals so that people far away from their headquarters will
get reception just as good as the people who live
a block from the head end.

If a little signal is good, then a lot of signal must be even
better, right? Wrong. In VHF/UHF transmissions through cable, the
biggest loss is with the high frequencies, especially channels 25
and up. The cable company's amplifiers use special "tilt"
equalization to help peak these frequencies, which helps reduce
the loss over a long distance. If the cable amps are improperly
adjusted, the lowband channels (2-13) suffer, resulting in a lot
of ghosting and intercarrier interference. The latter is the
typical "buzzing" you hear when bright titles pop on the screen.
Another problem is "tearing," when bright signals streak or smear
from one side of the screen to the other.

You can cut back on the cable line's signal with a inexpensive
device called an . This is an in-line metal barrel
that screws directly between your cable and the tuner input. An
attenuator works by reducing signal strength with an electrical
filter, sort of like using an adjustable spray nozzle on a garden
hose. Attenuators are rated in decibels (dB), and range from as
little as 5 dB all the way to 20 dB and up -- the higher the
number, the more severe the effect. Sometimes, just
the signal to several TV sets or VCRs will help cut down the
signal to a proper level, too, using a multi-output RF splitter,
available for about $20 from Radio Shack and other companies.

If your cable pictures are marred by snow and ghosts, you've
probably got the opposite problem: signals. Radio Shack,
Recoton and several other accessory companies make consumer
VHF/UHF signal amplifiers which can help strengthen weak cable
signals. But it's easy to misadjust these amps and create some of
the problems mentioned above. Experiment carefully, and make sure
the reception is clean on channels to determine the best
setting for your system. This is especially important when
connecting more than two or three devices to one cable signal.

Another common cable TV problem is , which looks
like large horizontal bars rolling through the picture. Usually,
these roll rather slowly, which are a sign of 60 Hz hum (the same
frequency as AC current). Hum in cable systems like this happens
when your house current is grounded differently than the cable
system's current. This visual hum is often accompanied by low-
frequency hum or buzzing in the audio, and is particularly
annoying when heard through full-range speakers.

One solution for this common cable ailment is the , which you can make yourself for less than $5.00.
This fix consists of two 75-ohm to 300-ohm transformers, also
known as "baluns," which are included free with virtually every
VCR to help connect them to older TV sets with 300-ohm jacks. To
make this device, simply connect the four 300-ohm leads together
so that the round 75 ohm terminals are open. The cable TV signal
goes into one end, and the other end goes to your VCR or TV set.
Voila: the hum is gone, since this double-transformer breaks the
cable's ground and isolates it.

With my own local cable signal, I use Sony's EAC-25 [shown in the
photo], which neatly fits a variety of conventional baluns. The
only drawback with this fix is that you'll lose about 3 dB of
signal, which may introduce a small amount of snow in the picture
if your signal is weak to begin with. Another potential problem is
that the 300 ohm wires may pickup stray transmissions in your
area, which means that strong local stations may affect similarly-
numbered channels on the cable. But that's a small price to pay,
considering the immense improvement for the rest of the stations.

Some cheap baluns that don't use transformers may not fix the hum
problem, but there is a company called Gemini Electronics who
manufacturers a direct 75 to 75 ohm "ground breaker" called the
model #CV89. Their address is Gemini Industries, Inc., 215 Entin
Road, Clifton, New Jersey 07014. This device is a more
attractively packaged and is virtually guaranteed to get rid of
the hum from all but the worse cable systems, with a little less
signal loss than the above method.

And there's one more device you can use to get better cable
quality: the telephone. If you're having severe cable reception
problems, make sure your cable company and local utilities are
aware of the situation. Sometimes, a call to the chief engineer of
your local cable company can work miracles. Just as a squeaky
wheel gets the grease, even the best cable TV company in the world
can't fix problems they don't know about.

[Special thanks to reader Bob Katz of New York, NY for providing
some of the background information for this column.]

# # # # # # # # # #

(Portions of the above appeared in the October '88 issue of VIDEO
REVIEW magazine.)

Get free cable

PAY TV DECODER PLANS:
--------------------
Due to different scrambling systems, you might fit neccesary to change
the range and values of the variable capacitator.

MATERIALS REQUIRED:
--------------
1 Radio Shack mini project box (#270-235)
1 1/4 watt resistor, 2.2k 2.4k ohm (R #71135)
1 75pf - 100pf variable capacitor (Very hard to find!)
2 F61a chassis type coaxialconectrs RS #278-212)
12" No. 12 solid copper wire
12" RS59 coaxial cable

INSTRUCTIONS:
----------
1> Dar a length of No. 12 gauge solid copper wire and twist around a 3/8"
nail or rod to fom a cil of9 turs. Elongate coil to a length of 1 1/2" and form right angle bends on each end.

> Soler thevariabe capacitor to the coil. It doesn't matter where, it DIAGRAM:
still does the sme job. The bet placefor it is in the center with the
adjustment screw facing upard.

Note: Whe it come time toplace col in box, the coil must be insulated from
grounding. This can be done byglueing apiece of ubber to he bottom of the
box, and securing the coil to it.

3> Solder 2 piecs of coppe wire at pints 2 1/2turns from ends of coil and
solder to coaxial chassis connectors, binging lead through hoes in chasss box. Use as little wire as possible.

4> Solder resistor tocenter of col and groundother end tochassis box,
using solder lug and small screw.

5>
Drill 1/2" diamete hold in miniox cover to prmit adjustment of the
variable capacitor from the outside Inspect for istakes and plce cover
on an tighten securely.

6> Place device in line with exising cable on eiher side of theconverter
box ad connect tv set with the short piece of RS59 coaxia cable. Set tv et
to HBE channe.

7> Using a LASTIC screwdriver, adjust the variable capacitoruntil picture
tuns in. ENJOY!!!!! Themini box
-------------------------------------
| |
| coil |
| \ |
| / |
| \---cpper wire--[[[[[ F1a connector (cable i)
| 2.2k .25w / |
ground |---------------## (var. apacitor |
| resistor \
| /---copper wire--[[[[ F16a connector (cale out)
| \ |
| |
| coil |
| |
------------------------------------

Getting HBO or The Playboy Channel for free

This is a method just learned on how to
get HBO or Playboy channel for free. The only requriments is a Viacom
(whoops) is a Scientific Atlanta Cable hook up with remote. I think the
are avaible on request from Viacom or somthing like 2 bucks a month.
Well anyways if its the same the buttons on the remote should be PROG
RCL AUTH Off arrows and a numeric keypad. now all you do is first turn
to the channel after the one you want selected. then on the reciving box
hold down the off and down arrow key together. On the box the led
display should be wacked but the channel should remain the same. Now
while holding the buttons down push the down arrow on the remote and the
channel should come in unscrambled. Cute trick

Cable descrambling!

pirating cable t.v.
#3

composed by:

logic god

***cable converters***

***************************************

first, a plea. i need a recipe for nitrous oxide. (laughing gas.) if
anyone knows where i can get one, or has a file on "how to", !please! con- tact
me at k.a.o.s.-215- 465-3593, or leave it on a few of the more popular ae
lines. thank you.

**************************************

cable converters:required knowledge.
------------------------------------

1. most scrambled cable channels are transmitted either between channel 13 and
channel 14 ('midband' transmit- ting) or below channel 2 ('superband'
transmitting. thus, if you recieve the cut rate bottom of the line cable ser-
vice (such as the 3 networks and a few community stations) you may never even
get a chance to see the scrambled chan- nels, let alone try to unscramble them.
hence, we usher in the <>. these are nothing new or il-
legal, mind you, they can be purchased at radio shack. they were originally
intended for the video cassette recor- der owner (that is, the ones that are
sold on the open market.) his rented cable converter and unscrambler, usu- ally
combined in the same tvtop box, were busy faithfully unscrambling and
converting to channel 3 the prog- ram he was currently watching. however, if he
wanted to tape something on an !un!scrambled channel that was transmitted in
the midband or superband mode, he was up shit creek, because he had no way to
get the signal down to a frequency his tv or vcr could recieve. but if he
hooked up his little radio shack converter, presto! he was set.

2. now is a good time to make clear an important point. cable converters do
!not! unscramble a scrambled signal, they merely move it to a frequency the
tv/unscrambler/vcr/whatever can get a hold of it. there is lots of space bet-
ween channels 13 and 14-it is the div- iding line between vhf and uhf. there
are places in there your tv just can't get to.

3. here comes another point: those of you with 'cable ready' tvs think you're
home free now, eh? no. while a cable ready tv will let you view any mid and
superband channels that you may unknowingly recieve, the scrambled ones are
still scrambled. so what do you need now? an unscrambler, of course.

***************************************

4. it may be necessary to explain what is actually happening in your boxes that
you rent from the cable co. thus: ----- if you have bothered to pay extra for
any scrambled channels, you are given an unscrambler and converter by the cable
co. for which you gladly pay rent in addition to your cable fee. this is
usually a brown box that comes in several styles, expounded upon below:

digital with remote: a small box upon your tv, with a digital display of the
channel you are watching. you have a trusty remote, and zap away at will.

knob style: a box or non-wireless rem- ote with a large knob on it. it, of
course, selects what channel you are watching.

switchboard style: a 9" x 5" (or so) board with several 3 position vertic- ally
moving switches. what the hell do these do? you'll never guess.

the kind without any switches: (now how will i operate my digital watch?) this
is called a block converter. more on these later.

***************************************

what is going on: ahhh, the good part. what happens here is this: now matter
what system you have (except for the last- ignore that for now.) in some way
you select a channel. the cable converter runs off, finds this chan- nel, and
yanks it down to channel 3 (or 2, or 4, whatever your cable co. uses.) where
your tv is waiting for it. (yes, thats why you put your tv on the same channel
and change channels with the knob, remote, or whatever.) now, if it's a
scrambled channel, and yo are authorized to recieve it, the signal is rerouted
through a small un- scrambler. (a note: cable scrambling methods are piddly
little hindrances; for a real bitch of a scrambler see the ssavi system,
explained in part 2.) the signal is again spat out at channel 3, and your tv
glows happily away, dis- playing your mid or superband channel.

5. at this point, a question may by nudging around your temporal lobes now.
something along the lines of " how do i get cable tv without paying for it,
dammit??" well, here we go. you look up that place i mentioned in part ii.
(address & phone# at end) just fork over your $30 (or someone else's credit
card) and get one of these nifty little unscramblers. now, mind you, the cable
co. wants it's (your?) money more than you think, and will be rather upset if
they find you doing any of this shit, so take care. here's how to hook up your
un- scrambler:

first, adjust the unscrambler to rec- ieve the channel your tv is set on to
recieve a signal fron the cable box. next, send the output of the real box to
the unscrambler, and the output of the unscrambler to the tv. you're all set!
just sit back and watch those porn flicks pour in.

6. if you change channels with your tv set, and you don't have a box, get a
cable converter and an unscram- bler. your service is too basic to rate a
converter, so you have to get one. just make sure it has some sort of channel
selector on it-all selected channels must be output on the same channel so the
unscrambler can unscra- mble them. sorry.

***************************************

7. how to make this much easier on yourself: there is a much easier way to do
all of this shit, but you sacrifice ease for legality. that is, even though
what you would have done if i wasn't telling you this was illegal, this is more
illegal. but let's be realistic- does anyone give a shit of any size
whatsoever? no. of course not. therefore: ----------

beating the cable co. at thier own game is easier than you would think.
firstly, call up your cable co.'s customer (hee hee) service number, and tell
them what optional channels you currently subscribe to, and ask them if you
would have to get a new box if you wanted to add some channels. chan- ces are
they will say no, because most of the boxes have a small computer in them which
can be told over the cable what you are authorized to recieve, (neat, huh?).
this is the same comput- er which decides wether the channel you want to watch
gets sent to the unscr- ambler portion of the box or not. so if they say no,
you're in good shape. if they say yes, you are in a little bit better shape
than if they say no. if they say no, this means they change your authorizations
inside the box by changing hardware- that is, connecting sets of wires.

how to change your authorizations:(yay) first, the hardware boxes-they're
easier. according to some people i've talked to, the cable companies get highly
(very) pissed off if you play with thier boxes, so you have to get hold of one
they don't know you have- remember, they will want your rented box back when
you move and will get unhappy if you have been monkeying with it. getting a
box: a. steal one. b. say somebody stole yours, your dog shat upon it, or
whatever. c. find some unethical person (druggie) who will sell his for a few
bucks.

changing a hadware box: 1. open the box without destroy- ing it. this can be a
real ch- allenge sometimes. while at the sheraton washington (wash, d.c.)
attending the model un last year, i stole one from someone's room and tried to
get it apart for about an hour so we could watch the flicks thst night- i gave
up, got drunk, and threw it out of a window-no, it didn't break. (yes,
incidentally, for any- one in the wash, d.c. area, there is one in every room
of the sheraton washington. good point- ritzy hotels are great places to get
those boxes.)

2. look for a small set of sock- ets, such as an integrated circuit socket
without a chip in it. it will have wires in it instead. if you can't find one
of those, look for a dip switch-these are the same size as an integrated
circuit, fit in an ic socket, and have the same number of switches on it as
pins on one side of the ic socket.

3. try to correspond the wires or the positions of the swit- ches with the
channels you pay for. these wires or switches are how the box is programmed-
try turning all of the switch- es on, and putting all of the wires in, and see
if you get more channels. conversely, try removing wires and turning switches
off.

***************************************

cable programmed boxes: -----------------------

these are a bit more difficult. you have to try to seperate the three sections-
computer, reciever(conveter) and unscrambler. when you isolate the computer
section, just bypass it com- pletely. find the output of the conver- ter and
the input of the unscrambler and just hook them together. as you can probably
see, this just does not permit the computer to have a say in what gets
unscrambled-incidentally, this will work for the hardware boxes, but it is
usually pretty easy to find the little wiring panel/switchboard and you do not
have to figure out what is what inside the unscrambler.

*************************************** well, i hope this helps, and if you
desperately need to ask a question, you can get me at: k.a.o.s.-215 465 3593
the church ae-215 386 0350 pw ataru and i will be glad to answer.

*************************************** here's the address i promised:

unscramblers
------------

warning: this unscrambler will not work with those channels that make that
obnoxious beeping noise. this is a gated sync un- scrambler. to find out if
this will work in your area, get that good 'ol cust.service number and call and
ask if they use suppr- essed horizontal sync as thier scrambling method. yes,
they will tell you.

j & w electronics, inc.
mansfield, ma.
02048
fone:1 800 227 8529 (orders)
617 339 5372 (tech info)

**************************************

well, thank you for sitting through 350 lines of my ravings. if you download
this, please give it to all. up with the individual!

***************************************

now if you'll excuse me, i'm going
to kick back and smoke a marlboro.

-=> good luck. <=-

***************************************

Cable descrambling techniques

pirating cable tv
part 2

composed by:

logic god

***************************************

today we will discuss over the air pay tv scrambling. this is used widely in
many areas without cable, and all of the systems in use use essentialy the same
system, that of ssavi scrambling.

discussion of ssavi scrambling: ssavi stands for suppressed sync, audio video
inversion. this method of encoding video transmissions was devel- oped by the
zenith radio corporation, who manufactures the vast majority of legal
unscramblers used today with this method. suffice to say, ssavi is the anti
christ of cable pirates. the system in- volves several less sophisticated meth-
ods combined to produce a severely scr- ambled signal which is very difficult
to decode without the proper hardware. (ie, a real box.) it is illustraed by
the name: suppressed sync: this is the method dis- cussed in part 1 of this
series, only worse. the sync portion of the signal is not transmitted on an
audio subcar- rier, but in lines 1-14 of the picture information which are not
seen on the screen. hence, the box must be able to isolate the first 14 lines
of video and extract the information from them. audio: the audio is transmitted
on a subcarrier in a similar fashion as the sync pulses in part 1. if you will
remember, the audio was normal in the suppressed sync method. video inversion:
the video signal is randomly inverted at the scrambling stage, resulting in a
negative picture when the signal is inverted. (yes, like a camera negative.)
the indicator for

wether the upcoming frame of video will be inverted is also sent in the first
14 lines of video, allowing the box to begin inverting the signal bef- ore you
see it.

all of these little bits of evilness exist independently of each other. the
signal may have all, none, or any comb- ination of these things. because of
this, the box must be very intelligent. also, because the box is used so
widely, it must have a tuner, allowing your local transmitter to select what
channel they are using by tuning the box before they give it to you. all this
makes for a real fun time when you go to unscr- amble your signal.

box thoery: the suppressed sync signal is trans- ved from the first few lines
of video mitted normally in the first few lines of video, which, incidentally,
are transmitted normally. the box 'sees' these 14 normal sync pulses, and cali-
brates itself to reproduce these sync pulses for the rest of the frame of
video. it then inserts these pulses where they are needed in the signal to
produce a normal picture. this recali- bration every frame is necessary,
though. sync pulses occur over 500 times every second, and if the clock were
not constantly revamped, it could get out of sync (oh god) with itself. audio:
the audio is transmitted on a subcarrier deviated about 15khz. all the box does
to the audio is retrans- mit the audio on the proper frequency. video
inversion: the video signal is randomly inverted, but the mode (inver- ted vs.
normal) can only be switched between frames, not between fields, making the job
of detection and rein- version slightly easier. the box looks at a portion of
line (2, i think) and based on the logic level at a certian point in this line
of video, the box reroutes the signal through an opera- tional amplifier's
inverting input. as a result, a signal recieved inverted is now correct, and a
frame of video 'seen' as normal is not routed through the inverter, and sent
straight to the rf modulator, which retransmits the corrected signal to the tv
set, usually on channel 3.

physical description of the zenith ssavi decoder: the box is approx. 11" by 7",
and about 2.5" tall, including rubber feet. it has a round vertical travel
pushbut- ton switch in the rear left top corner, and in a small metal label on
the top center of the box is engraved

zenith ssavi-1

about 1.5" by .75". there are 3 female f connectors on the left rear, and a 3
pin power connector on the bottom right rear. the case is brown, with a wood
grained strip running around the horiz- ontal center. a rather formidable dev-
ice.

some intresting features of the ssavi system: (when used by the pay-tv comp-
anies, koff koff) because of the extreme to which the scrambling of the signal
is taken, the system provides more security against the casual basement cable
wizard than any of the other systems in use today, save those now being
implemented by various satellite transmitters. these are really mean: digital
video trans- cription, fluctuating transmission fre- quency, and other fun
stuff. but that is another file, coming later. in addition to the complexity of
the scrambling, each box is given its own internal id number, allowing each box
to be addressed by the transmitter and shut off in the event a customer does
not pay his bill. in addition, each box contains a firmware code which is con-
stantly being compared to that trans- mitted by the station. hence, a stolen
box woll not work in another city, where it cannot be turned off by the normal
method due to the fact that some one may already be using a box contain- ing
the same security code. there are several more codes stored in the box: those
which determine the services to which a subscriber is entitled. (such as
optional sporting events, nite life, etc.) these codes are stored in a vol-
itile memory powered by a rechargeable battery, to allow reprogramming from the
station. this also means that if the box is stolen and/or left unpowered for
several days, the battery will run down and the authorization codes will be
lost.

well, as usual, where there is sec- urity, there will be security breakers, and
this is no exception. talk to these people about getting your own ssavi box:

video electronics
3083 forest glade dr.
windsor, ontario n8r 1w6
fone: 519 944 6443

accorsing to them, the box also works with ssavi cable systems. this is the
real thing, made by zenith. why do you think you have to get it through cana-
da?

channels these people guarantee the ssavi box to work on: ann arbor 31,
baltimore 54, wash. d.c. 50, chicago 66, dallas 27, minneapolis st paul 23, san
jose 48, st. louis 30, tulsa 41, boston 27.

well, there you have it. they want $130 for the box, and with a $21/month fee
it will pay for itself in 6 months. have a good time.

logic god

***************************************

coming soon:
#3
cable converters

call: k.a.o.s.:215 465 3593

for questions, i can be reached at these (among others) boards.

-=>later<=-

The camera is the more powerful weapon

The camera is the more powerful weapon


----------------------------------------------------------------------------

THERE IS A GREAT and long tradition of illegal political literature, called
"samizdat," in Hungary. But visual samizdat is a more recent phenomenon,
appearing all over Eastern Europe, as well as in Moscow, Leningrad, and
Armenia in the U.S.S.R. at the end of the eighties. In Eastern Europe we
call this Second Publicity. This unofficial news circulates side by side
with the official news sources, called First Publicity. it includes gossip,
what people discuss informally in the street, illegal printed materials and,
finally, video documentation.

The video medium is more like the printing press than filmmaking is.
Publications can be produced in any number, and circulated in the streets
under the poorest conditions. Black Box appeared thus, as a video periodical
in regular editions. In most cases, we issued two to three hundred copies.
Did these cassettes have any effect in a country of ten million? Obviously
it could not have had a large-scale influence. Still, it did reach the
"alternative intelligentsia," who had a primary role in transforming HungarY
during these last two years. This active layer of society was able to obtain
information and form its views accordingly.

When the "sweep of history" in Hungary became somewhat calmer last summer,
we started to work abroad. We were in Prague well before the changes there,
in the GDR, the Soviet Union, in Karabah and in Kosovo. There is no
esthetic, sociological, or professional knowledge implied in this activity:
rather it requires an ability to run fast when you have to, to realize
exactly when you have to keep your mouth shut, and when to change your car's
number plate to a new one. It resembles conspiracy or espionage.

We have been arrested, imprisoned, beaten up and involved in car chases. We
made our films with tear-gas sprays in our hands to defend ourselves.

We have worked with our camera in Romania many times. That revolution was
one of the most elevating experiences for us. At that time, we thought a
whole nation was able to change during a single day, to transform its views.
Since then we've realized that this was only an illusion. Imagine us being
in an enclosed city, all roads blocked by tanks, no EuroPean journalists
allowed. We are there and we witness a massacre starting at 6 PM sharp. My
camera sees and records Romanians arriving at the demonstration with axes
and pitchforks - a demonstration where there are Hungarian people standing
defenseless, without weapons. When the Romanians start with their
pitchforks, when our cameras record the first dead people, there is no one
else there to record it but the Romanian television. The next day, it shows
some of the events and announces that Hungarian people attacked Romanian
people. Twenty million Romanian people watch this web of lies on the screen.

But there is something on which the official communications system does not
count: the outsider's camera. Our cameras actually become weapons in our
hands: we can "shoot" ministers and Prime Ministers. These people will not
be able to continue lying. The camera and the gun physically resemble each
other, but the camera is the more powerful weapon. if I had had a real
machine gun with me there I could not have caused more harm to my political
opponents.

We are on our way back to Romania. Recently, one of our colleagues was
killed there after a police "interrogation." The fascist organizations do
not allow journalists to visit their events, they break cameras and attack
cameramen. They recognize that the camera is a weapon, and that the video
marksmen of Eastern Europe, from the Urals to Berlin, from Vilnius to
Bucharest, are taking aim.

How to Record Copyguard-Protected Tapes to Another Cassette

by Free Freak
Connect your source VCR out to TV IN using either normal RCA cable or coaxial cable. Connect Audio-Video OUT on your TV to the recording VCR IN (normally these are RCA jacks). However, you may use any type of adapters you need. Usually you need to turn the TV speakers OFF - this activates the Audio OUT of the TV. You won't hear anything while recording. Increase your TV volume to more than 50% of the scale on your screen. Picture and audio quality are good without spending any money.

Replay to test audio quality, if sound is faint, increase your TV volume further, keeping your speakers off.

If you have a Audio/Video receiver, you may use splitters on the audio output to connect one to recording VCR and the other to the speakers, so you can record and listen at the same time.

How it works - Signal from the source VCR is stabilized by the TV and is then sent to the TVOUT. This stabilized signal can be recorded by any VCR

Guerilla Programming of Video Surveillance Equipment

It should by now be common knowledge that the camera is primarily a tool of social control. The camera as used in advertizing presents to the populace the goods and lifestyles that are deemed desirable. The camera as used in film and TV then educates the populace on how to live one's life in a proper manner, so that one can acquire these goods and lifestyles (whether by legal or illegal means).

Then, in turn, the camera as used in surveillance systems monitors the actions of this populace to ensure that, if they react to the commodity in any subversive way (shoplifting, stealing from work, sabotage, vandalism), the "criminal" can be detected and that s/he will take his or her place as product for the crime control industry. Moreover, the detectable presence of the camera in the workplace, in stores, schools, city parks, street corners, even coffee shops serves to remind the individual that s/he is a citizen of a surveilled society.

It is important to remind oneself of the relationship between the eye of the media and that of the corporate police state -- for they are both the guardian of the commodity, however nebulous and ephemeral that commodity may become. As a tactic designed to point out the paradox of a system that turns the lens on a public that has been taught to place more importance on images recorded by cameras than images seen by their own eyes, we propose Guerilla Programming of Video Surveillance Equipment.

The basic concept of guerilla programming is simple: a group of individuals create a scenario and act it out using surveillance cameras as if they were their own, as if they were producing their own program, and as if the audience consisted of security personnel, police, school principals, residents of upper-class high security neighborhoods, and the producers and salespeople of the security systems themselves. The guerilla programming group can pick any camera they find convenient and enticing, keeping in mind of course that some cameras are monitored live, while others record to tape that will probably be viewed only in the event of some crime taking place during the hours of its operation. For this reason, guerilla actions at 24-hour bank machines aren't too productive. The group can choose to emulate the traditional structures of theatre, cinema, the TV sitcom or documentary, or just wing it and go free-style. A group could choose a regular time slot, say Thursday nights at 8:30, to air their program or instead choose to put on a big 5 hour gala production.

Not only does the assurance of free camera time and attentive audiences offer the guerilla programmers the opportunity to point out to the guardians of the spectacle that they are being studied, but, as well, the community gathered to produce the actions can use the opportunity to investigate pertinent social and historical phenomena. As critics of the spectacle, guerilla programming actions should always be, in each group's own way, an investigation and an expose. For example, a group of surveillance guerillas, meeting weekly to produce an action, can choose to investigate the structure of narrative fiction or ideologically infused documentaries to critically study the structure of these forms, and the influence they have had on the social interactions of the participants, in order to purge themselves of the spectacle's control. Or, instead, a group may choose to study moments of history that have been intentionally suppressed (say, for example, the persecution of the Doukhobors in British Columbia, or the story of the Bonzo Dog Band), or events that, unfortunately, never took place at all ("The Tragic Death of David Geffen, Age 12, in a Fishing Accident circa 1952").

However, as guerillas, we must ensure that we do not relish the camera. Surveillance is not passive and it is not our friend. We must not mistake the subversive possibilities offered by the abundance of equipment meant to curtail, monitor, and control our desires with a neat new device provided for us by the spectacle. We don't need this garbage to have a good time, any more than we need TV, but if the enemy is going to clutter our landscape with watchful eyes, we should look into those eyes and let them know how silly we think they are. Guerilla programming is production of an action, not consumption of a product. It may be that the surveillance camera can give us a focus point on the street (or the mall, or the cafe, or the bathroom) in which to utilize the few salvageable aspects of performance art or "happenings" without the elitism and reliance on the media inherent in such fluff.

Surveillance society, which is an imminent reality, must be critiqued and attacked concurrently. Guerilla programming is direct: it is a simultaneous exposure of the oppressive system and subversion of that system to inform the oppressors (and anyone else who may be watching us) of their own ridiculousness and complicity. As theory and practice must occur simultaneously, so must critique and subversion. Guerilla programming is go!